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Written by literary scholars, historians of science, and cultural historians, the twenty-two original essays in this collection explore the intriguing and multifaceted interrelationships between science and culture through the periodical press in nineteenth-century Britain. Ranging across the spectrum of periodical titles, the six sections comprise: 'Women, Children, and Gender', 'Religious Audiences', 'Naturalizing the Supernatural', 'Contesting New Technologies', 'Professionalization and Journalism', and 'Evolution, Psychology, and Culture'. The essays offer some of the first 'samplings and soundings' from the emergent and richly interdisciplinary field of scholarship on the relations between science and the nineteenth-century media.
The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton's Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.
The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton's Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.
The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton's Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.
The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton's Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.
Written by literary scholars, historians of science, and cultural historians, the twenty-two original essays in this collection explore the intriguing and multifaceted interrelationships between science and culture through the periodical press in nineteenth-century Britain. Ranging across the spectrum of periodical titles, the six sections comprise: 'Women, Children, and Gender', 'Religious Audiences', 'Naturalizing the Supernatural', 'Contesting New Technologies', 'Professionalization and Journalism', and 'Evolution, Psychology, and Culture'. The essays offer some of the first 'samplings and soundings' from the emergent and richly interdisciplinary field of scholarship on the relations between science and the nineteenth-century media.
The idea of an inevitable conflict between science and religion was decisively challenged by John Hedley Brooke in his classic Science and Religion: Some Historical Perspectives (Cambridge, 1991). Almost two decades on, Science and Religion: New Historical Perspectives revisits this argument and asks how historians can now impose order on the complex and contingent histories of religious engagements with science. Bringing together leading scholars, this volume explores the history and changing meanings of the categories 'science' and 'religion'; the role of publishing and education in forging and spreading ideas; the connection between knowledge, power and intellectual imperialism; and the reasons for the confrontation between evolution and creationism among American Christians and in the Islamic world. A major contribution to the historiography of science and religion, this book makes the most recent scholarship on this much misunderstood debate widely accessible.
For the Victorian reading public, periodicals played a far greater role than books in shaping their understanding of new discoveries and theories in science, technology and medicine. Such understandings were formed not merely by serious scientific articles, but also by glancing asides in political reports, fictional representations, or humorous attacks in comic magazines. Ranging across diverse forms of periodicals, from top-selling religious and juvenile magazines through to popular fiction-based periodicals, and from the campaigning 'new journalism' of the late century to the comic satire of Punch, this book explores the ways in which scientific ideas and developments were presented to a variety of Victorian audiences. In addition, it offers three case studies of the representation of particular areas of science: 'baby science', scientific biography, and electricity. This intriguing collaborative volume sheds light on issues relating to history and history of science, literature, book history, and cultural and media studies.
For the Victorian reading public, periodicals played a far greater role than books in shaping their understanding of new discoveries and theories in science, technology and medicine. Such understandings were formed not merely by serious scientific articles, but also by glancing asides in political reports, fictional representations, or humorous attacks in comic magazines. Ranging across diverse forms of periodicals, from top-selling religious and juvenile magazines through to popular fiction-based periodicals, and from the campaigning 'new journalism' of the late century to the comic satire of Punch, this book explores the ways in which scientific ideas and developments were presented to a variety of Victorian audiences. In addition, it offers three case studies of the representation of particular areas of science: 'baby science', scientific biography, and electricity. This intriguing collaborative volume sheds new light on issues relating to history and history of science, literature, book history, and cultural and media studies.
The idea of an inevitable conflict between science and religion was decisively challenged by John Hedley Brooke in his classic Science and Religion: Some Historical Perspectives (Cambridge, 1991). Almost two decades on, Science and Religion: New Historical Perspectives revisits this argument and asks how historians can now impose order on the complex and contingent histories of religious engagements with science. Bringing together leading scholars, this new volume explores the history and changing meanings of the categories 'science' and 'religion'; the role of publishing and education in forging and spreading ideas; the connection between knowledge, power and intellectual imperialism; and the reasons for the confrontation between evolution and creationism among American Christians and in the Islamic world. A major contribution to the historiography of science and religion, this book makes the most recent scholarship on this much misunderstood debate widely accessible.
How do science and religion interact? This study examines the ways in which two minorities in Britain - the Quaker and Anglo-Jewish communities - engaged with science. Drawing on a wealth of documentary material, much of which has not been analysed by previous historians, Geoffrey Cantor charts the participation of Quakers and Jews in many different aspects of science: scientific research, science education, science-related careers, and scientific institutions. The responses of both communities to the challenge of modernity posed by innovative scientific theories, such as the Newtonian worldview and Darwin's theory of evolution, are of central interest.
This volume contains 266 letters covering a period of twenty-two months, when Tyndall was in his midthirties and had been employed by the Royal Institution as professor of natural philosophysince September 1853. Many of the letters printed here concern the lectures he delivered at the RI and other institutions and his attempt to establish his reputation as a researcher. Although he published in several other areas-including the cleavage of rocks, colorblindness, and glaciers-the main focus of his research was the newly discovered and problematic phenomenon of diamagnetism. Tyndall reported his experimental results and theoretical views on this subject in several lectures and papers that greatly enhanced his scientific standing, which was further extended by his contact with other scientists, not only in London but across the British Isles and in France and Germany. By the end of this period, Tyndall was a man of science with a European reputation that was recognized in November 1856 when the Royal Society elected him a member of its Council.
The 230 letters in this inaugural volume of The Correspondence of John Tyndall chart Tyndall's emergence into early adulthood, spanning from his arrival in Youghal in May 1840 as a civil assistant with just a year's experience working on the Irish Ordnance Survey to his pseudonymous authorship of an open letter to the prime minister, Robert Peel, protesting the pay and conditions on the English Survey in August 1843. The letters, which include Tyndall's earliest extant correspondence, encompass some of the most significant events of the early 1840s. Tyndall's correspondents also discuss their experiences of British military expansion in India and economic migration to North America, among other topics. The letters show the development of many of the traits and talents, both mathematical and literary, that would subsequently make Tyndall one of most prominent men of science in Victorian Britain. They also afford broader insights into a period of almost unprecedented social upheaval and cultural and technological change that ultimately shaped Tyndall's development into adulthood.
A richly imagined and stunningly inventive literary masterpiece of love, art, and betrayal, exploring the genesis of evil, the unforeseen consequences of love, and the ultimate unreliability of storytelling itself Paris in the 1920s shimmers with excitement, dissipation, and freedom. It is a place of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club s loyal denizens, including the rising Hungarian photographer Gabor Tsenyi, the socialite and art patron Baroness Lily de Rossignol, and the caustic American writer Lionel Maine. As the years pass, their fortunes and the world itself evolve. Lou falls desperately in love and finds success as a race car driver. Gabor builds his reputation with startlingly vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant twenties give way to darker times, Lou experiences another metamorphosis sparked by tumultuous events that will warp her earnest desire for love and approval into something far more."
Darwin's theory of evolution transformed the life sciences and made
profound claims about human origins and the human condition, topics
often viewed as the prerogative of religion. As a result, evolution
has provoked a wide variety of religious responses, ranging from
angry rejection to enthusiastic acceptance. While Christian
responses to evolution have been studied extensively, little
scholarly attention has been paid to Jewish reactions. "Jewish
Tradition and the Challenge of Darwinism" is the first extended
meditation on the Jewish engagement with this crucial and
controversial theory.
Darwin's theory of evolution transformed the life sciences and made
profound claims about human origins and the human condition, topics
often viewed as the prerogative of religion. As a result, evolution
has provoked a wide variety of religious responses, ranging from
angry rejection to enthusiastic acceptance. While Christian
responses to evolution have been studied extensively, little
scholarly attention has been paid to Jewish reactions. "Jewish
Tradition and the Challenge of Darwinism" is the first extended
meditation on the Jewish engagement with this crucial and
controversial theory.
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